Michael Harding Cremnitz White No. 2 - The combination of pigment and walnut oil produces some wonderful qualities, possibly due to its lesser ability as a wetting agent, which results in less pigment within the actual mixed paint and therefore increases transparency and subtler intermixes with colors. There is inaccurate material publicized that walnut oil goes rancid and therefore is not to be relied upon as a drying oil which is completely untrue! It was used alongside linseed oil for centuries and found favor with just about all artists who worked with it. Most artist, dare I say, who try it love it!
Michael Harding Cremnitz White No. 2 - The combination of pigment and walnut oil produces some wonderful qualities, possibly due to its lesser ability as a wetting agent, which results in less pigment within the actual mixed paint and therefore increases transparency and subtler intermixes with colors. There is inaccurate material publicized that walnut oil goes rancid and therefore is not to be relied upon as a drying oil which is completely untrue! It was used alongside linseed oil for centuries and found favor with just about all artists who worked with it. Most artist, dare I say, who try it love it!
Color Index
PW1
Drying Speed
Average
Transparency
Semi-Transparent
Lightfastness
Excellent
Oil Content
Very Low
Oil Type
Walnut Oil
Tint Power
Average
Toxicity
Toxic
ASTM D-4236
✓
Prop-65
✓
Michael Harding Artist Oil Colours, Cremnitz White No.2 (aceite de
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